November 4, 2006
Fall Home Season
Migrations and Sky Clad
I have a secret to admit, and it’s no small one. Sure, I don’t have a secret baby girl who I’ve shuttled off to Alaska to live in the wild raised by grizzly bears. And no, I do not have a secret shrine complete with disco ball devoted to the ever-changing dance styles of Madonna. But what’s true is that I’ve lived in San Francisco for over five years, and hadn’t seen Lines Ballet in performance until this past weekend. That’s right. Yours truly was an Alonzo King newbie. Thankfully, though, I wasn’t a dance newbie. Otherwise, I’d think the evening’s theme was boyshorts (seemingly the preferred costume choice for King’s men).
The program’s highlight proved to be King’s stateside premiere of Migration: The Hierarchical Migration of Birds and Mammals, set to music by Pharoah Sanders, Miguel Frasconi, and Leslie Stuck. The nine dancers began their migration by taking flight (or perhaps hatching out of their shells) on the floor, arching their backs and gracefully flailing their limbs. In fact, there was a lot of graceful flailing throughout, but coupled with sweeping lifts, circular hip swivels, and quick parallel passé sautés, it took on a more gratifying importance, one of upward movement, forward thinking, and ascension.
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