2.27.2008

you know you're in lala land when...


if only i had brought along my giant bernese mountain dog! he would have loved a ride around walgreens in a shopping cart. wheeeee! ruff! rutro! although, i would've needed about 4 big, burly men to heave him into the freebie metal wheelie ride. and i'd need a fluffy and drooling dog, too. but still... sounds like fun! brought to you by walgreens (lincoln @ washington in marina del rey).

2.22.2008

Compañía Nacional de Danza @YBCA

Compañía Nacional de Danza
Presented by San Francisco Performances
Performed at Yerba Buena Center for the Arts
Program A
Wednesday, February 20, 2008, 8PM

San Francisco houses numerous dance companies, but we don’t have anything quite like Compañía Nacional de Danza. Led by artistic director and choreographer Nacho Duato, the company’s amazingly talented dancers hail from all over the world and what they brought to the Yerba Buena stage last night was something I’ve never experienced. The company, over two hours, explored current and historical issues through powerful contemporary dance and received a well-deserved standing ovation from a full house.

Duato has a style all of his own, stressing the strong use of canon, repetition, rhythm, and justifiable unison. His movement leans towards curves and sweeping limbs with well-placed hops, and themes range from literal to more abstract. Here on the local stage, we were treated to three of his more focused issues: castration, slavery, and drugs, all in some way or another delving into who we are as individuals and in short, how we define ourselves and identify with those around us.

“White Darkness,” Duato’s introspective look at drug use and abuse, brought the crowd to its feet. With sand dropping from above and brushing to and fro, Ana María López, Amaury Lebrun, Soojee Watman, Francisco Lorenzo, África Guzmán, Randy Castillo, Inês Pereira, and Fabrice Edelmann, dressed in reddish black, danced in pairs. They resembled the body and how it responds to drugs: quick and flighty at the onset and lethargic at the end. As the lead couple, Yolanda Martín and Dimo Kirilov swept from one end of the stage, leaping and embracing until she makes a potentially deadly decision. All the while Jaffar Chalabi’s honeycomb-like structure grew and stretched upwards in the background, and the dancers, set, and falling dust continued to morph like a quick-spinning kaleidoscope against Karl Jenkins’ “Adeimus Variations” and “String Quartet No. 2”). Joop Caboort’s lighting design came to fruition at the finale, leaving many to gasp as the beauty of sand, body, and shadow.

For more, go here.


Photo courtesy of Compañía Nacional de Danza

2.19.2008

going to camp

me: i've never been camping.
someone else: what??? never as in never ever? didn't your family take vacations and go camping?
me: nope. we lived in florida, so we went to disney world.
someone else: so you never saw any wildlife as a kid, huh? that's too bad.
me: chip and dale regularly joined my family for breakfast at the polynesian (and i have pictures to prove it!), and there were giant mice running around everywhere! strangely, at the time, i didn't feel like a deprived non-outdoors adventuring 8 year-old.

2.15.2008

today, friday, is brought to you by the letter "f"

last night i made a stop by the pillow fight on my way home (which turned into it's own 74 minute ordeal). walking down to the embarcadero, i saw people carrying pillows new, old, large, and small. some people had written names on their pillowcases (those of jaded exes, perhaps?), and the throngs of pillows and people soon took ahold of justin herman plaza. sans pillow (i felt bad a) whacking someone i didn't know with a feathery yet plushy object and b) destroying a pillow "just because." it's got feelings, too, you know.), i survived for about 5 minutes before walking back down market, engulfed in feathers and fuzz. my walk, though, seemed semi-futile. i ferociously trudged to civic center without seeing either a 5 or 21 bus. and when i finally got a 21 around 6:55pm, it was full of... a feathery frenzy!

hyatt graciously donated their stairs for the event's spectators.

like this woman, people came prepared with multiple pillows in a variety of shapes, sizes, and colors.

this guy brought his a-game and seemed ready to have a throw down with hello kitty. poor kitty...

on valentine's day, why not hug a tree?

let the festivities begin!

this is my cue to swallow a bunch of feathers and then exit, stage left.

lastly, if you ever need the largest v-day balloon bouquet known to man, you can get them at civic center bart. just note they won't fit on bart or muni, or in your car, but if you buy enough you can get home mary poppins-style.

2.14.2008

queen of hearts

do you know what today is? yes? good for you! it's my grandma's birthday! happy birthday, nana!

oh. you meant valentine's day, huh? yep, it's that day, too. todd and i don't do much for v-day. we're both on the same page, thinking we shouldn't just express our love (and sometime's utter disgust for how one of us--me-- has lost the basic aptitude for multiplying simple fractions on a tuesday night) on one single day. plus, who wants to pay $100/person to have a sub-par meal and feel compelled to throw in an extra $16.99 for flimsy rose petals and two candlesticks for fear of not seeming "in love enough"? right.

in honor of v-day, i searched high and low for the perfect heart-shaped cookie cutters. williams-sonoma, sur la table, macy's, mervyn's, you name it. but the best ones i found ( 1) b/c of the color and 2) b/c the folded metal piece was on the outside of the cutter) were at crate and barrel. and at $5.95 for a set of 3, they were a steal! go get a set. now.

i used these to make hazelnut cookies (which i think i underfilled with scharffen berger hazelnut ganache; they'd be just as great with raspberry jam, too!) and easy breezy beautify fake fudge (which tastes more like chocolaty marshmallow than fudge, but my pregnant coworker doesn't really seem to care... and i think that's a compliment...). the cookies were ok, but they seemed a little dry. perhaps a little bit more butter... and tons more ganache.

mark morford has a great list up of the worst v-day gifts ever. i'm not quite sure what a "fistful of penguin" is, but the rest of it is pretty insightful.

in other valentine's day news, my 21-hayes bus was surprisingly empty this morning, probably due to some post-coital procrastinating and pancaking... which means i didn't get hit in the head with backpacks or have to hold on for dear life! maybe there are some pluses to v-day, afterall:)

2.13.2008

m r why?

yesterday, i headed down to china basin for another mri for my knee (lingering pain, be gone!). i arrived about 10 min. early for my 1pm appointment. i signed in and was attached with a plastic bracelet to identify i was indeed who i said i was. by 1:15, my name was called (while i had run to the restroom, mind you. i exited the bathroom with a slew of other mri-waiters saying, "rebecca! rebecca hirschbaum/vitz/stein, they called you!" which prompted me to 1) be slightly bugged that these 5 individuals knew my name and 2) have to explain to the young, humorless imaging tech dude that i was in the restroom and that i felt it prudent to go prior to being stuck in a loud, thumping tube for 40 min.). i was rushed back to the changing area, where the tech had me put on a pair of pants that had part of the front center missing (something about how the pants serve a variety of imaging needs and patients... j. crew, they were not.). i put the front in the back (it was genius, i tell you), and when i came out, he said they were running 15 min. behind, but that i should remove all my jewelry and anything metal. they'd come get me shortly.

i grabbed my library book, a cheesy yet slightly heartwarming chick-lit novel (it was either that or "O, the magazine" on the table next to me), and got comfy in one of the pastel chairs. over a few bus rides this week, i'd made it through half the book. it's pretty generic, featuring a girl who won't face the fact that she keeps dating men who resemble her alcoholic father, and not surprisingly, every time i picked it up, i felt expectationless. yes, the author has a knack for witty banter, but the story goes south when the girl realizes (duh!) that she's been in love with her best guy friend for years. i saw this coming at about page 17.

ten minutes into my backwards-hospital-pants party, i started to have even more feelings about what was going to happen in the story, even when there were uncanny, never-could-i-have-imagined-these-little-details moments. i had the biggest realization, though, another ten minutes in, and sadly, it's the second time this has happened to me in the past 6 months. yes, you guessed it. i've read this book before. i don't know when, and there are certainly parts i don't remember, but my 15 min. of waiting turned into over an hour, and there i was, stuck either with re-reading my semi-feel good book of love, lust, and losers, or giving up and discovering o's secrets for being happy, which may or may not include talking in a loud and bouncy alto voice whenever i enter a room or greet someone. i could picture it right there. in the middle of the night, i'll roll over, and say to todd, "heaeaeaeaeay, therrrrrrrrrrrrrrrre! you've just wohn a snuhhhhhhh-gahl!" with a deep, tiger-like roar in my throat.

looking back on it, maybe i should have gone with oprah instead of the library book, but at least i felt satisfied (that i finished it--twice), and i don't have tyra bank's oprahism disease. if i did, i'd be trying to give away free buicks on street corners and ripping my jeans off on the way to work. actually, that sounds like fun...

2.12.2008

company ea sola @ ybca

Company Ea Sola, "Drought and Rain, Vol. 2"
Yerba Buena Center for the Arts
February 6, 2008

Generally, the thought of Vietnam might bring to mind hot, flavorful pho; communism; and Lyndon Johnson, but modern dance and performance art probably don’t surface. Company Ea Sola’s “Drought and Rain, Vol.2” may change your mind.

Sola left her home country at the end of the Vietnam War and lived in Paris for about a decade, where she explored movement in both formal and informal settings. Focusing on war and the responsibility and effects it has on individuals and a people as a whole, Sola incorporates dance, live music and vocals, projected images and text, and props, creating a multi-dimensional and potent 45 minutes of theater. Her dancers come from the Vietnam Opera Ballet of Hanoi, and while not having strong technique in traditional ballet and modern dance, they moved effectively enough, tiptoeing like a knock-kneed little child early on and, by the end, fully engrossing their entire bodies in Sola’s ideas and concept.

For more, go here.

photo © Company Ea Sola

2.05.2008

just beat it



Dear Dosa,

I've been to your restaurant for dinner before, but it was recently brought to my attention that you offer brunch! I looked at the online menu today, and noticed you're offering:


Red Beet Cumin- Roasted pureed red beats with a swirl of crème fraîche

Both beets should be spelled "ee." Beats are things you do with your feet when dancing. Or you can beat eggs into a lovely meringue. Or what you might want to do to a crazy dude who warbles away incessantly out on Mission night after night.


Regards,

Becca

2.04.2008

you can, too!

on saturday, todd and i faced "that moment." we headed over to civic center

walked up the steps of city hall.

held hands in the downpour of cats and dogs.

grinned from ear to ear.

stood in line.

signed the official documents.

gave our names.

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voted!

remember to vote tomorrow:)

and sorry, mom, for scaring you there.

2.02.2008

SF Ballet, Program 2

How Sweet It Is
San Francisco Ballet, Program 2
January 31, 2008

Thursday a few colleagues and I went to celebrate the last day of “Dine About Town” with a prix fixe lunch at Fringale, a lovely little French restaurant just a few blocks from work. Our appetizers and entrees hit the spot (I savored the couscous with mushroom and chestnut ragout and white truffle oil- how divine!), but by the time we were faced with dessert, we stood perplexed. Should we each order what our hearts desired, or do we agree to order one of each of the three choices and share amongst each other? We went with the latter, and boy, were we happy. Our mixed bill of a warm chocolate gourmand, hazelnut and roasted almond mousse cake, and apple tart tatin pleased all of the senses, and we came away with an appreciation for how each dessert complemented the other. The same could be said for Program 2 of San Francisco Ballet’s current season. Featuring works by Balanchine, Morris, and Possokhov, there was something for everyone, and while each work could hold their own on the expansive Opera House stage, the evening closed with a sense of well-deserved completeness.

The evening opened with George Balanchine’s “Divertimento No. 15,” set to music by Mozart. Balanchine has become synonymous with American ballet, so perhaps this was the program’s equivalent to my lunch’s apple tart. Showcasing musicality and pure, codified ballet, the work followed a theme of crisp 5th positions, deep pliés, pure balanced attitudes, and long, sweeping penchés. Kristin Long energized the stage with her feet of fury, and Gennadi Nedvigin is a man who knows how to maximize his plié, showing off luscious jumps, beats, and pirouettes that all seemed to melt and then spring upward from his ankles to the rafters.


For more, go here.

2.01.2008

Compañía Nacional de Danza

¡Bailamos! Nacho Duato’s Compañía Nacional de Danza to debut in San Francisco at the end of the month

Nacho Duato’s Compañía Nacional de Danza will soar in and make its San Francisco debut at the end of February. Duato studied at the Rambert School in London, Maurice Bejart’s Mudra School in Brussels, and The Alvin Ailey American Dance Center in New York before pursuing a professional career, dancing with the Cullberg Ballet and Nederlands Dans Theater before trying
his hand at choreography in 1983. Since then, he’s created renowned works for companies all across the globe, and his company, based in Madrid, Spain, is known for its strong dancers and unpretentious style, boasting 27 dancers and a well-regarded second company.

Kayoko Everhart, a dancer with the main company, trained for several years here in San Francisco and graciously agreed to answer a few questions about her formal dance training, performing career, and current experiences with CND in advance of the company's West Coast visit.

For more, go here.